Spelling Alphabets

Writing manuals of the 16th century were created as illustrated training books as one of the earliest forms of distance learning. They were made to instruct literate students the specific hands and practices required to be a commercial scribe or secretary. They were often designed to be advertisements for the writing master as well, and as such, beautiful books in their own right.
The 17th, 18th and 19th centuries expanded the scope and audience of writing books. Books concerned with teaching a wider audience the tools of literacy and communication became common. By the 19th century, British and American books, as well as toys, were being manufactured to address younger students. I wanted to concentrate on early writing manuals, but kept an eye out for material that fell outside of the 3R’s of standardized education. My experience with the Joseph SeavyWriter’s Assistant (more to come) had heightened my interest in the unusual, even if it wasn’t strictly a writing manual. Education expands one’s mind and horizons, just as this trip enlarged my understanding.
Every time I visit a library, I take a trip. Often it’s far away from the present into some distant past. I’m transported to another landscape, another mind, another experience. The librarians I encounter are the custodians of these worlds. I enter through the portal of the reading room. Like any traveler, I consider myself a guest, trying to abide by local custom, leaving my assumptions behind. What passes as an acceptable practice in one library is verboten in another. What is the rarest of treasures here may be a commonplace rare book elsewhere.
At the Firestone, I  called up material from the Rare Books Division, Graphic Arts collection, and the Cotsen Children’s Library. All the material is accessed through the online catalog. The person paging items brings the material to the desk, and the desk attendant (sometimes a librarian) brings the material to the desk. Princeton allows more than one item on the table at a time, making it easy to either scan material or do a comparative review.
The Cotsen Children’s Library holds a number of spelling alphabets in various forms. These are small, hand-held disks or rectangles where the letter is engraved into the surface and colored to show the letterform.
The ivory disks offset the colored letter, making me want to pick them up and hold them. There’s a satisfyingly organic connection when handling them which delighted me. In this particular set, the obverse of each disk had a 3 letter word accompanied by an illustration engraved and painted.
At the same time, I called up “Alphabet of bone letters” which is housed in “wooden box in the shape of a book with sliding lid.” These little letters and their box were fun to play with and arrange. Cotsen’s librarian, Andrea Immel comments about cut out letters and dating from typographic evidence in this post. when I spoke to her about these objects, she was quite helpful in answering questions about this type of educational realia.
Bone alphabet letter box; carved box in shape of book
Bone alphabet letters in box
Bone alphabet letters laid out
Bone alphabet letters in box
Going back in time, this German 16th century disk appears to be a teaching aid as well.
German bronze alphabet
Realia designed to teach the rudiments of the alphabet and spelling (and reading) aren’t writing manuals, but I had to spend time with these materials because they do relate to scribal practice.
On February 3 – 6, I will be presenting a bit of realia and typography at CODEX VII, a biannual book fair held in the San Francisco Bay Area. I have traced and modified letters from Giovann FrancescoCresci’swriting manual.   Entitled Percussive Roman, the typeface is 100pt. type laser engraved by Magnolia Editions on maple dowels.
These are meant to be inked one at a time, then placed on the paper, with the impression being made by a  blow from a mallet. While the typeface plays with reversed ground/figure relationships in type, the thinner, right-reading chip is part of a set of 53 characters in the Spelling Alphabet. I have added an ampersand to the set of upper and lower case letters. These are a direct outgrowth of the material I found in the Cotsen Collection.
Next post, I’ll write about the rest of the writing manuals and primers I viewed at the Firestone Library.

Princeton’s Rare Books and Special Collections

I called up twenty three items and spent two happy days in the reading room of Princeton’s Firestone Library.

There are ten separate collections in the Rare Book and Special Collections Division. While the reading room serves these collections, a researcher is dealing with 10 catalogs. Princeton makes it easy to search with its integrated catalog, but there are subtleties to the presentation and cataloging. My research before visiting showed that there were books that would be of interest, but I didn’t have a good idea of their holdings as searching a catalog by title is not an efficient way to do research.

For a specific title, I used WordCat, noting what libraries might have it. This is an inefficient way of finding things as WorldCat is not always up to date or accurate. So, I missed a number of books at libraries along the way. I had no illusion that this trip would net a complete survey, but it was frustrating to come back and realize that I passed by institutions that held a book of interest.

When I arrived at Princeton, I took some time with their online catalog to fill out call slips. The newly renovated reading room is well lit, with large windows that give the room a cathedral-like feel. Coming in and sitting down to look at material, there was no doubt that I was in a research library and not some open-plan office complex.

The Graphic Arts 1535 copy of Ugo da Carpi’s Thesauro de scrittori was rebound in recent years. I had seen two copies (1525 and 1535) of this book at the Harry Ransom Center, and again at the Newberry (1535). WorldCat does the Texas or Princeton copies, thus creating another “hidden book” in two different libraries.  A.S. Osley’s The variant issues of Ugo da Carpi’s T’hesauro de scrittori published in Quaerendo details the changes made in this early writing manual. That da Carpi borrowed freely from Fanti, Arrighi, and Tagliente is well known, and Osley’s article from 1972 delineates typesetting and plate order changes in the three dates the book was issued: 1525, 1532 and 1535.


His description is so detailed that the Graphic Arts cataloger was able to determine which issue (“Designated as “first issue” of this edition in Osley, …”) they own.

Should you wish to travel down a bibliographic side alley, read his Quarendo article, and try to keep in mind which issues you’ve seen at any given institution. It’s a bit much to keep  straight in one’s head.


da Carpi wasn’t the only book on my list, so I moved on to Albrecht Dürer’s geometry book with a section on constructed capitals. Princeton’s copy of Albertus Durerus Nurembergensis pictor huius … is in good shape, sewn on split thongs, laced onto pasteboards. The covering material has been lost, but the book is still intact. This copy was owned by Stanley Morison, whose research and opinions dominate the field of writing manuals, type design, and history of printing.


Dürer first published his book in 1525 at a time when writing manuals were just beginning to be published. Italian writing masters teach scribes how to write with a quill pen. Ugo da Carpi’s book is mostly a compendium of instruction by other writing masters while Dürer’s book includes geometric Roman capitals that would be used for inscriptional purposes. There are constructed gothic and rotunda minuscules in da Carpi’s work, but no capitals. The instructions that Dürer gives on how to make the Roman capitals is not strictly a writing manual, but it involves instructions on how to construct these forms using a compass and a square. Dürer’s instructions are familiar today in the book Of the Just Shaping of Letters.


Riding to Research

Leaving Winterthur before 5:00, I went to eat a late lunch heading North. I didn’t know where I was staying that night. I had anticipated staying at a friend’s place, but misunderstood the location of his home. My plan was to get to Princeton in the morning and I wanted to be close enough to get there at opening time.

I belong to an online motorcycle forum and have a number of imaginary internet friends, some of whom I’ve met in person. One such, is my friend Bill Morris. He lives in Central New Jersey and travels about 30 minutes to work by motorcycle as often as he can. He was serving as Executive Officer of the 50th Infantry Brigade Combat Team in Lawrenceville, NJ. I called him and asked if I could stay with he and his family for about 3 nights and I’d be arriving in 2 hours at the most as I was no more than 75 miles south. Ever the moto-gentleman, he said yes and gave me directions to come to the post and hang out till he was headed home. It took me 3.5 hours to get there!

I was leaving Delaware around 4:30 and knew that I’d hit commuter traffic. East Coast roads can be a little confusing as the signage isn’t always that large or very well placed. Turnpikes are unforgiving if you miss an entrance or exit and correcting a mistake can take you out of the way. This happened to me a couple of times on my trek north so it took much longer than I expected. Bill was patient and waited till I arrived.

Bill Morris, demon motorcyclist and great guy

We told a few stories and then he pointed me back south and we retraced my last 25 miles. Bill likes to go fast – really fast. He promised to keep his bike from flying, but I don’t think he was much under escape velocity the whole time. At that time of night, the roads are fairly empty and it felt like we were on a private racecourse.  I never once tried to catch or pass him, I just tried to keep his tail light in sight! That invigorating ride was a tonic after the frustrating experience of eastern road navigation.

After 8 or so years of reading about Bill, his service and motorcycle adventures, it was nice to meet him and his family in person. His daughters get up quite early for school and they went to bed soon after I arrived. Bill and I caught up until well after midnight. Following a person online is an odd way of acquiring friends. Do they represent themselves or a facade of the person they want you to see? Will they be as tall as they look on screen? It’s a bit of a risk meeting someone you respect online. I’ve found that the people that I connect with online have, for the most part, been even better than what I imagined. Bill is one of those guys. And it was nice to see him in his work and home environments.


Morning came sooner than I wanted, but I did get a good night’s sleep. Now for a ride up 295 in morning rush hour traffic – without getting shunted in the wrong direction. I navigated most of that well, except I had to stop and check myself getting off of 95 at 206. I got out my phone and checked the map, saw that I was on track and kept riding up the used-to-be rural road. Like many outlying urban areas, farmland gives way to estates and generously spaced-out housing developments or gated communities. More traffic than the roads were designed for, so the traffic is often congested throughout the day.

As I rode into Princeton, I had to check the phone map a couple more times but finally get myself situated and get the bike parked close to campus even though I’ll have to move it in a little while. Why don’t I have a GPS, or at least a paper map? I used to be assiduous about having local maps as I travelled across the country. They were in my tank bag, so all I had to do was study them prior to that leg of the ride and then check my progress with a quick look down. I was resistant to GPS devices when they started to be used in the early 2000’s as I felt that they don’t promote being engaged in mentally acquiring the route I’m traveling. Just follow the screen and the little man on the motorcycle, and you’ll get there without thinking. Now I’m not opposed, but I didn’t see the need to buy one on the trip.

It was a bit of an ordeal, however I made it to the campus fairly early and was ready to get to work at the Firestone Library. I was psyched by the chance to see their writing manuals and other, non-book instructional aids. I’m a sucker for 3D objects, and they had a number of them to review!


A Brief Stop at Winterthur

Joshua Yeager contemplates long distance motorcycling in the Maryland sun

My time in Washington, D.C. had come to a close. After breakfast with my nephew Josh, I got on the road north. Well, almost North. I had a little fun with the toll roads in Maryland, getting onto one that required a toll reader that I didn’t have. There’s a ticket I didn’t plan on.

Mid September along the Atlantic coast can be beautiful. I had experienced rain a week before while riding up from Richmond, but my ride this morning was fresh and crisp. Just a little cool – the summer’s heat having lost it’s intensity for the moment. I was still used to 95 – 100º weather, so the coolness of mid 70º air was welcome. Riding through Maryland along Chesapeake Bay and Delaware on I 95 is not necessarily a breath-taking ride, but it was pleasant on this particular day. My destination, Winterthur, DE is only 100 miles from my buddy, Mike’s house, so this would be a short ride compared to my previous traveling legs.

The library entrance at Winterthur

Most people think of Winterthur as a decorative arts museum. That’s because it is “the premier museum of American decorative arts.” Writing manuals are not necessarily decorative arts, but they do fit naturally into Winterthur’s collecting scheme because engravers, weavers, coach builders, and other craftspeople were called upon to include lettering in their decorative efforts. An engraver needs a sample alphabet on which to base the engraving. Monograms in bespoke items required a lettering guide for the artisan to follow and writing manuals often contained various lettering styles as guides.

After the invention of printing from moveable type, writing was still the primary means of recording unique or limited copies of master documents. However more opportunities for letters to be decorative arose with the freedom gained by mechanical reproduction of texts. This decorative trend can be seen in the earliest writing manuals. Writing masters were providing models for these craftspeople from the start. By the colonial period, copperplate engraved writing manuals illustrated a multitude of exemplars targeted to non-scribal purposes.

Winterthur’s collection of  writing manuals focuses on the 19th century American manuals, many of which were produced by the relatively new process of lithography. However, some were produced in the 18th Century and hail from Europe.

Double nibbed quill pen at B & C. Courtesy, the Winterthur Library.

One such, Calligraphia regia konigliche Schreib Feder shows an illustration of quills cut at different angles for different hands. In one, there is a quill with two tips, showing how one quill nib is slipped over the other quill and rotated to create a double or outline letterform. I’ve seen illustration of a two-line letterform but didn’t know how this was accomplished. This illustration is the first that I’ve seen to show a simple, effective method for making a split line letterform in one stroke.

Lacy letters. Courtesy, the Winterthur Library

Decorative lace-like letters were all the rage in the 18th century, and they were quite ornate. Engravers may have used these as models for working silver or gold with an inscription.

In this manuscript model book, there were many alphabets of various types, and single letters filling one page each.

Colorful blackletter, courtesy of the Winterthur Library.

And this colorfully whimsical page was a delight.


A little creature flying a flourish like a kite. Courtesy, the Winterthur Library

The more ornate and decorative nature of these writing manuals shows a progression of the uses of writing manuals and clearly shows off letters as things worth looking at just for their beauty.

By the 19th century, there is a broadening of focus as to audience as demonstrated by this book. Now even Ladies should know how to write well as Miss Caroline Dashwood. She probably used a steel pen rather than a quill.


Having made it to Winterthur mid-day I only had about 3 hours to look at books and I decided that I’ll have to come back for a longer is it.


The varieties of a Palatino edition

I made a few discoveries about Palatino editions at the Folger Shakespeare Library. I had taken a look at 3 copies of Libro di M. Giouanbattista Palatino at the Newberry printed by Blado. My interest was piqued enough to take a look at the Folger’s copies of Compendio del gran volume. I wrote about the 1566 printing of that title in the last post.

1588 Compendio del gran volume, Palatino, G. The verso is written out in manuscript to look like type. It is the correct text for this edition of the book and pasted over another edition’s text. The recto of this page is type from the correct edition.

The 1588 copy of this book would appear to be the same, except the typesetting would be different. But as I looked at the 1588 book, I discovered an anomaly that took a minute to figure out. Near the end of the book text was handwritten in the style of the typeface and pasted over a printed text. But only on a couple of pages. It isn’t uncommon to find that a scribe had been employed to make a facsimile of a missing text. However, it is a feat to accomplish copying the type closely because the pen and the graver make two distinctly different kinds of letters. The scribe’s skill is apparent here.

The second thing that is striking is that this book was “made up” meaning it was constructed from various editions of the title sometime after publication in 1588. Taking the time in the late 16th or 17th C. to make up a copy tells of the importance of a Palatino to collectors dating to that era. It also suggests that making up a book from non-historic sources wasn’t looked on too poorly during the previous 3 to 4 centuries.

1588 Compendio del gran volume, Palatino, G. The recto is written out in manuscript to look like type. It is the correct text for this edition of the book.

Making sense of these variations kept me occupied for a few hours and honed my skill at looking for and detecting variations in production, assembly, binding and repair. Early printed books are very much individual objects. Sometimes the variations in production are easy to spot when viewed side by side. The institution may have a second, third or fourth copy of the same title and edition and the books will look almost unrecognizable as the same title because of changes, use and storage in the intervening years.

1588 Compendio del gran volume, Palatino, G. The verso is written out in manuscript to look like type.


Breaching the walls of the Folger Shakespeare Library

After a 2 month hiatus, I am back to recording progress on my trip. Coming back and re-establishing myself was more challenging than I imagined – in fact the trip itself was more challenging than I thought it would be. My apologies for leaving you hanging!

Motorcycling to the Folger Shakespeare Library, Washington, DC

Getting into a special collection library can be daunting. University libraries have their system, public libraries have somewhat easier methods and private libraries can be the most restrictive. But things are changing in the library world and the vetting process has become a little less stringent.

The Folger Shakespeare Library requires letters from two individuals with .edu or .org email addresses. Generally that means an academic institution or non-profit research library. I was fortunate to acquire letters from one of each and the librarians said some nice things about me and my project.

I was excited that I was granted entry as a reader. I’ve visited the Folger’s conservation lab a number of times, but going in as a researcher is different than visiting a colleague.

It was raining lightly on Saturday, September 11, 2015 when I rode to the library. My hosts live in Silver Spring, MD about 9 miles from the library, a 45 minute commute during the week. On a Saturday, it’s faster as there is less traffic on the roads.

If I was going to be a riding reader, I should ride to the library at least once while in the nation’s capital. I arrived somewhat damp in my riding gear. The guard didn’t believe that I had permission to enter. After requesting my identification, she told me to stand in the lobby while she checked the reader services desk. I dripped water on the stone floor as I awaited my fate. Would I be allowed into this august library or be thrown out as motorcycle trash? The guard didn’t appear to like a damp biker being allowed into the library. I guess not everybody in the library world has come to embrace motorcyclists?

Requests for items are made prior to arrival so the staff has time to page them, I’d made my request on Friday. Saturday, the hours are curtailed, so it makes sense to do this. Requesting vault or restricted items, they are pulled only during the week.

At the desk, I asked for my books and a young woman in jeans (librarians don’t wear jeans, do they?) brought them to me. She asked why I had requested the particular books I had. Briefly (yeah, right!) I told her about Motoscribendi and my research. She listened attentively and then introduced herself as Heather Wolfe, the curator of manuscripts at the Folger. We stood there for half an hour talking about writing manuals, different calligraphic hands, quill cutting and the world of rare books and the chance to look at old books and manuscripts. It was like meeting an old friend and catching up. Heather’s knowledge and enthusiasm are what makes this kind of work exciting. Meeting with an inquisitive, engaged paleographer happy to talk with me about these things gave me an even greater sense of being a part of something worth pursuing.

Practicing the Secretary Hand

Heather teaches paleography classes on the Secretary hand at the library. Even though many manuscripts at the library are in English, they are all but indecipherable without some training. The library has around 60,000 manuscripts many of which are written in a Secretary hand. Heather and her colleagues have been working on a project to teach paleography and get people involved in transcribing documents from the collection. Early Modern Manuscripts Online (EMMO) has just launched Shakespeare’s World to use crowdsourcing technology to allow interested individuals to be a part of reading and transcribing these manuscripts.

We talked about quill-cutting, parchment-making and other scribal traditions and how exciting it is to look at these materials and discover things about production and use.

When I went to sit down to look at the books, she apologized for taking me from my work, but the truth was that speaking with her is my work. Getting to look at books and learning more about these writing manuals is important, but I wanted to meet the scholars, librarians and staff that are charged with caring for these books.



Manuscript note about writing masters in the Folger Shakespeare’s 1588 copy 2 of Palatino’s Compendio del Gran Volume

After lunch, I came back and continued looking at the books I’d called up. Palatino’s writing manuals have been well researched by Stanley Morison and others, but I think there’s more to learn by looking at these books. A digital copy will only represent one iteration.  Each time I open a writing manual, I am excited to see how it has lived and been used.

Palatino’s Compendio del Gran Volume. 1566, with an owner’s practice flourishes on the title page

This interplay of book and reader shows the challenge of learning to master a particular hand. Sometimes the student is not very skilled, and sometimes they are better. And often, the progression is obvious through the book’s progression.

1667 manuscript copying of exemplars in the Folger Shakespeare’s 1566 reprint of Palatino’s Compendio del Gran Volume

You see in the above image a woodblock that was cut in 1565 being used in the 1566 edition of the Compendio del Gran Volume. This block was cut a year before the printing of this book. It was the norm for woodblocks to be stored and reused in subsequent books. Typesetting for the later editions was newly done yet the woodblock is older. This copy then, has three distinct time element in this one page:

1565: Woodblock

1566: Typeset signature mark at lower right “Ciij”

1667: Manuscript practice, dated to a century later

1667 manuscript copying of exemplars in the Folger Shakespeare’s 1588 reprint of Palatino’s Compendio del Gran Volume

And on the verso of the leaf marked “Ciij” is another block cut a year later in 1566 with the same 17th century scribe’s annotation of Palatino’s full name.

There’s more to discuss about the Folger’s Palatino collection, and I’ll continue that in my next post.






Home is where the Hurricane is parked

Tecopa, CA at sunrise looking West
Tecopa, CA at sunrise looking West

I’m breaking the mostly-chronological nature of the story to report that I’ve made it back to Oakland, CA. I returned last Thursday and am getting re-acclimated to being off the road and returning to a daily routine.

As I rode through the mountains and into Death Valley, temperatures rose, but the day was so chilly that I had to stop in Furnace Creek for warmth and food. The previous couple of days were a bit challenging. I’d left Sedona, AZ on Monday, the 9th after having lunch with a couple I know from Oakland. It was bright and chilly, and I wanted to make it down from the San Francisco Peaks mountain range before it got too late in the day. I managed to do that and rode until around 7:00 with a few stops to warm up. My gloves were no longer waterproof or wind proof and I was wearing cloth gloves as liners to keep me somewhat warmer.

Around 7:00 I stopped at the Tecopa school district building to check my map and see how far I still had to travel. It could have been around the next bend, or 10 miles away, I didn’t know. The building has street lights so I felt safe stopping in the parking lot to check my phone.

As I started off, the bike died. And when I tried to restart it, the battery went completely dead and I was left without power of any kind. Because this had happened three previous times on the trip, I was familiar with the symptoms and possible cure. I pulled all my gear off to get under the seat and to the battery. I checked the wires to the main fuse block and  the fuse itself. All was in order, so I then checked the battery. It was hot to the touch. Not warm or neutral as it should be, but hot. This meant that the battery was fried from too much voltage returning to it after the alternator created electricity.

The Honda Hurricane has a regulator/rectifier that manages input and output of power through the system. I knew now that I’d have to find a new battery and the bike was not going anywhere that night. My chill was not so great as to be worrisome, but I was weary and mildly concerned as to my location in regards to the Tecopa motel I was scheduled to stay at. Still in my riding gear, I started down the dark road in hopes of finding the motel close by. After walking into the dark, I retraced my steps. I had to have faith in my mantra: “I wonder what nice people I’ll meet today.”

No car had come by in 10 minutes and I didn’t know how long it might be for the next one. I was tired and didn’t think it wise to leave the light. If someone was going to pick me up, it would be better to stand under the street light and be visible.

I said I’d start walking if a car didn’t come by in 20 minutes. Around 17 minutes into it, two cars passed me traveling in the opposite direction. I waved my cap slowly like a train signalman to get their attention. They pulled into the parking lot and were happy to take me to the motel. Brad drove his wife and friend back home just around the corner. His friend was in the second car and didn’t know the area in the dark.

When Brad picked me up we had a nice discussion and got along so I asked if he hired out as a taxi. He said he’d take me the 30 miles to O’Reilly’s and get a replacement battery the next day. True to his word, we met up in the morning and the four of us wandered northeast to Parhump, NV to replace the burned up battery.

I was happy that the new battery fit and worked properly, so I relaxed a little and sat in the hot tubs supplied as part of the motel fee. My neck hurt quite a bit from crouching down behind the windshield so I splurged and got a massage after a hot tub soak. This made me much more relaxed.

After a slow night of relaxation and further dips, I got up at 4:00 a.m. for a final soak. I wrote some and organized myself for the penultimate day’s ride through Death Valley. I wrote a few postcards and headed to the Post Office at 8:00 a.m. to send them on their way on Wednesday, Veteran’s Day.

Tecopa Post Office
Tecopa Post Office
Death Valley, CA
Death Valley, CA

Death Valley is beautiful and when it’s chilly rather than boiling hot, it’s a refreshing (if cold) experience. I was set to meet a buddy at Big Pine, CA at noon. I made it to Lone Pine, some 40 miles south, around 12:15. We connected and rather than travel north, I was able to rest and warm up while he ate and headed south. The roads were icy on Hwy 50 and that meant all passes across the Sierra were icy. The only thing to do was travel south to cut across Hwy 178 past Lake Isabella. Those canyons are quite beautiful, but cold on this wintery day. We managed to hit the last canyon after the sun was low enough to  be hidden by the mountains. But it wasn’t yet dark, so the temperature hadn’t plunged to freezing yet.

We gassed up and headed north on Hwy 99 out of Bakersfield and rode for almost another hour before stopping for Mexican food. The meal was welcome and put a little heat in us, so that we could continue on to Elk Grove where Rob lives. We made it there by 10:30. I’d started at 8:00 that morning and was thoroughly exhausted by the 660 mile ride that day.

Thursday I got up and had a great breakfast, then rolled into my shop in Oakland around 1:00 p.m. 98 days from when i left.

Return to Oakland after 98 days on the road
Return to Oakland after 98 days on the road

There are still many more stories to tell about the books and people I met along the way. And now that I’m back, I can organize my thoughts and continue the narrative.

The trip was quite successful and has energized me with both research questions and artistic ideas. I will be going back out on the road in the Spring next year to go to libraries I didn’t visit this trip. Weather dictated that I miss Boston and Rochester, so they’ll be a particular focus on my next trip and I got sick in NYC and had to cancel trips to Philadelphia area libraries.

Because I found many more things to look at than time allowed, I’ll be revising a number of libraries from the first visit. Therefore, Motoscribendi will continue.

I’ll be doing research on how to prepare and present the database. I’ve learned a few things that should help make it a more open and useful tool than I first envisioned. That work will continue and I welcome input as to how best to do it.

Libraries, Calligraphy Manuals and Motorcycles